One of the more challenging parts of recording and live sound can be properly setting up and miking a drum kit. There are many factors to be aware of, such as how to achieve the best tone from each piece of the kit, and how to most effectively position each individual mic.
Derek showing off his mad skills.
Last week, the students assisted with a full studio drum setup. Even using a fairly compact kit, we still found use for 11 different microphones. Some microphones played very specific purposes, such as a pair of stereo overhead mics to capture the entire kit (and mainly cymbals). Other decisions were made to give a variety of sounds, such as placing a microphone on both the top and bottom of the snare drum.
Dan and Nolan admire the full setup.
The results were excellent! We made use of the large space in our adjacent lecture hall in order to capture the reverberation of the room, and the acoustics were great. Everyone seemed to come away with a deeper knowledge of microphone technique and added confidence for when they may be presented with a similar challenge.